Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Saturday, April 14, 2012

Nobody's Holding a Gun to your Head...

Last night, I was excited, amazed, honoured, nervous, terrified, elated to go to the screening of a film I co-produced. It was such an extraordinary experience to watch other people react to my film, and to see other filmmakers' work, too. I saw some fantastic short films last night!

After the screening, I was invited to participate in a panel discussion with the other filmmakers in attendance. Honestly, I wish I'd declined. First, because the idea of participating in a panel discussion is terrifying (it's weird, I know. I act on stage and in film, I teach, but ask me to have my photo taken, or take part in a public discussion, and I panic). But also, because I found the experience itself to be terribly disappointing and disillusioning. These women who had made these gorgeous, inspired films were... well, cranky. There was a lot of complaining going on. When the moderator asked what our advice would be to emerging filmmakers, one panelist's advice was "don't do it." Another complained about how awful it is to work with actors, and most of the others agreed with her. (Particularly uncomfortable, as there were at least 20 actors in the audience...)

Maybe I'm naive. This was, after all, my first film as anything other than an actor. But I'm not new to the creative process, and I really believe that it is a privilege to create: to act, to draw, to write, to build, to paint, to tell stories, to create. Sure, most artists will tell you that creating isn't a choice, it's a vocation--we create because we're compelled to. I write a story because a charater gets in my head and won't leave me alone. But honestly, if making films (or books or poems or paintings) is such an unpleasant experience, don't do it. Sell insurance. Paint houses. Make sprockets on an assembly line. Whatever. But if you are one of the lucky people who gets to do the thing you're passionate about... well, be grateful. Love what you do. And if you can't truly love it, at least pretend when you're talking to a room full of people who've just paid to see your work.

Sunday, September 28, 2008

A Pretentious, Biased and Uneducated Art Review

To the confession: art makes me feel dumb. I don't really understand the different between a really good painting and a poor one. Like everyone else, I like some paintings, and I don't like others. I have some basic concept of technique and composition, but visual art usually makes me feel like I'm going to be exposed for my plebeian tastes.
Poetry used to make me feel the same way. I was nearly 30 before I finally felt that I "got" poetry. A startling confession for an English PhD candidate, I know. Give me a novel or a short story, a play or an essay and I'm a critical fish in water. But poetry... I'm still getting used to it.
And maybe it's because we're all so used to seeing photos, but my visual arts anxieties are somewhat lessened when I'm looking at a photograph. So I'm pretty excited that this month's Cargo & James exhibit is part of the Photopolis Festival. Until the end of October, we will be showing Scott Blackburn's Religious Views by a Non-Religious Person. And you know what? I look at his photos and I think, "I get it..."
And so right now, I'm going to offer a critical review of some of his paintings. Don't judge me if I get it wrong.
My favourite photo is of a Madonna statue from a church in Church Point, NS. The statue is remarkably lifelike, and her eyes are turned to heaven, only Scott has managed to capture her gaze from a downward perspective. As you look at the photo, you feel an uncomfortable sense of voyeurism--like you have somehow got between her gaze and God. In addition, the statue, and its gaze in particular, is uncannily lifelike--I continually forget that I'm looking at a photo of a statue. It's both beautiful and usettling.
Scoot has also taken a composite photo of a church that is falling into ruin; the amazing thing about this photo is that the images suggests iconic heaven-and-hell imagery: beams of sunlight falling through the ruined roof, and darkness showing through the broken floorboards.
Other images expose the often decaying pageantry of religious imagery: beautiful statues feature cracks and faults, and the guilding on haloes is tarnished and rusted.
Okay. I'll stop being so bloody pretentious now. You can trust me when I tell you that tese are beautiful and haunting pictures, or you can come to Cargo & james to see them yourself, and then tell me how utterly wrong I am about them.